Mercantile Effect cover copy

The Mercantile Effect

Art and Exchange in the Islamicate World during the 17th and 18th Centuries

Edited by Sussan Babaie and Melanie Gibson

£50/$59.95

Format: Hardback
Published: November 2017
Illustrations: 100
Pages: 180
ISBN: 978-1-909942-10-3

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The Mercantile Effect captures unexpected glimpses of a vast and shifting landscape and brings them into focus; this is what the future of art history looks like.’

— George Manginis, Academic Director of Benaki Museum, Athens

 

‘This fine collection of stimulating essays is a fascinating introduction to some of commodities, tastes and ideas that flowed around the Middle East in the premodern era and proves once again how the study of small-scale artefacts and even everyday items powerfully adds to the larger story of trade and exchange.’

— Julia Gonnella, Director, Museum of Islamic Art, Doha

 

This beautifully illustrated volume publishes a group of papers delivered at the third Gingko conference: ‘The Mercantile Effect: on Art and Exchange in the Islamicate World during 17th-18th Centuries.’ Held in Berlin in 2016, this meeting brought together a group of established and early-career scholars to discuss how the movement of Armenian, Indian, Chinese, Persian, Turkish and European merchants and their trade goods spread new ideas and new technologies across Western Asia in the early modern era. Operating through the newly-established Dutch, English and French East India companies, as well as much older mercantile networks, prestigious exotic commodities: silk, ivory, books and glazed porcelains were transported east and west. The collected essays in this volume introduce a fascinating array of subjects, all of them indicative of the impact of transcultural exchanges during the 17th and 18th centuries.

Sussan Babaie is Andrew W. Mellon Reader in the Arts of Iran and Islam, The Courtauld Institute of Art in London.

Melanie Gibson is Senior Editor of the Gingko Library Art Series.

 

Table of Contents:

Foreword by Melanie Gibson

Introduction by Sussan Babaie The Mercantile Effect: On Art and Exchange in the Islamicate World

Suet May Lam – Fantasies of the East: ‘Shopping’ in Early Modern Eurasia

Amy S. Landau – The Armenian Artist Minas and Seventeenth-Century Notions of ‘Life-Likeness’

William Kynan-Wilson – ‘Painted by the Turcks themselves’: Reading Peter Mundy’s Ottoman Costume Album in Context

Nicole Kançal-Ferrari – Golden Watches and Precious Textiles: Luxury Goods at the Crimean Khans’ Court and the Northern Black Sea Shore

Nancy Um – Aromatics, Stimulants, and their Vessels: The Material Culture and Rites of Merchant Interaction in Eighteenth-Century Mocha

Federica Gigante – Trading Islamic Artworks in Seventeenth-Century Italy: the Case of the Cospi Museum

Anna Ballian – From Genoa to Constantinople: The Silk Industry of Chios

Christos Merantzas – Ottoman Textiles Within an Ecclesiastical Context: Cultural Osmoses in Mainland Greece

Francesco Gusella – Behind the Practice of Partnership: Seventeenth-Century Portuguese Devotional Ivories of West India

Gül Kale – Visual and Embodied Memory of an Ottoman Architect: Travelling on Campaign, Pilgrimage and Trade Routes in the Middle East

Contributors