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The Arts of Metal in the Medieval Iranian World
edited by Annabelle Collinet
foreword by Yannick Lintz
with contribution by David Bourgarit
translated by Annabelle Collinet and Melanie Gibson
Format: Hardback, 240x296mm (portrait)
Published: 21 December 2023
Pages: 336, 206 colour plates, 27 halftones, 2 maps, 20 tables, 7 charts
ISBN: 978-1-914983-12-2
Series: Art Series
Co-published with Louvre Museum
Medieval metalwork dating from the tenth to thirteenth centuries is one of the artistic highlights of the Iranian world, as well as of the Musée du Louvre in Paris which holds more than 80 objects from this period. This is one of the most important collections in the world but until now the objects, some well-known and others quite unknown, have never been studied or published as a single group.
ISLAMETAL, the ambitious project that carried out the archaeometallurgical research on these objects, was established to provide vital new information on the processes, places, and craftsmen linked to their production. This far-reaching investigation, which included material analyses as well as close examinations of each object, is at the core of this volume and allowed the author Annabelle Collinet, with her collaborator David Bourgarit, to propose new categories for many of the objects. This book, a translation of the French original published in 2021, offers a fresh look at these objects, providing a comprehensive overview of medieval production, a full technical analysis and a presentation of the collection through the lens of its centres of manufacture, as well as the functions and contexts in which the pieces were used. Each object is fully described and illustrated in colour with many close up or X-ray images. All the inscriptions were read and are published here in the original Arabic accompanied by their translations.
Annabelle Collinet is in charge of the Medieval Iranian Collection at the Département des Arts de l’Islam at the Louvre Museum in Paris.
Melanie Gibson is Editor of the Gingko Art Series. She lectures widely and her publications focus on the ceramics, glass and sculpture produced in the Islamic world.
David Bourgarit is an archaeometallurgist, research scientist at Centre de Recherche et de et de Restauration des Musées de France.
Yannick Lintz is the former director of the Département des Arts de l’Islam at the Louvre Museum in Paris and the current director of the Musée Guimet in Paris.
| Weight | 3 kg |
|---|---|
| Theme | Art |
9 Preface by Yannick Lintz
10 Map of the Iranian World
13 Foreword
17 INTRODUCTION
17 The Collection
20 From Gaston Migeon to ISLAMETAL:
Studies of the Collection
CHAPTER 1
28 THE ART OF METAL IN THE IRANIAN WORLD C. 900–1220
32 The Historical Background
33 The Material and Artistic Culture of Khurasan
40 Archaeological Data and Dating
43 The Context of Production
CHAPTER 2
50 MATERIALS, ALLOYS AND TECHNIQUES
David Bourgarit, Annabelle Collinet
53 Materials and Alloys in the Textual Sources
58 Alloys and Impurities
65 Metal Inlays
68 Shaping Techniques
77 The Surface
92 The Organisation of Production
CHAPTER 3
106 THE ART OF INLAID METAL IN HERAT
111 Masterpieces of Herat
126 Objects Attributable to Herat
CHAPTER 4
148 PRODUCTION IN GHAZNA AND KHURASAN
151 Production in Ghazna
178 Objects from Khurasan and their Regional Diffusion
CHAPTER 5
208 THE CONTEXT OF THE OBJECTS
213 Furnishings and their Uses
255 Serving Ware and Reception Practices
269 Care of the Body
277 Utensils from Shops
296 CONCLUSION
298 APPENDICES
David Bourgarit, Annabelle Collinet
300 Bibliography
312 Index
316 Archaeometallurgy
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Precious Materials is a dazzling and erudite work of interdisciplinary scholarship. Drawing together careful historical research, provenance sleuthing, and comprehensive archaeometallurgical analysis of materials and techniques, the text sets a new bar for the study of metalworking in the medieval Islamic world. The authors present a sequence of clear interpretive frames that build upon each other, culminating in a catalogue where each virtuosic object is explored in unprecedented detail. Working in concert with this is a wealth of carefully deployed technical imagery, suffusing the whole book with the uncanny beauty of the X-radiograph and the microphotographic detail. We are shown things no human eye has ever seen before. The metalworkers of pre-Mongol Iran and Afghanistan have long been recognized as supreme masters of their craft, but never before has it been possible to see and to know the true extent of their skills in such forensic detail.
Margaret Graves, Adrienne Minassian Associate Professor of Islamic Art and Architecture, Brown University
[A] magnificent job. Precious Materials is a superb achievement and has set a very high standard for future books and catalogues of Islamic metalwork. I look forward to volume 2.
Rachel Ward, Bulletin of the School of Oriental and African Studies